ÿþ<html> <head> <meta http-equiv="content-type" content="text/css; charset= "UTF-12"> <title>Nori Jacoby</title> <STYLE type="text/css"> #nav {position: fixed; margin-top: -10px; left: 0; right: 0; border: none; background-color: #F0F0F0; text-align: center;box-shadow: 5px 5px 3px #888888;} A:link {font-size:14; text-decoration: none; font-family: Arial; color: olive;} A:visited {font-size:14; text-decoration: none; font-family: Arial; color: teal;} A:active {font-size:14; text-decoration: underline overline; font-family: Arial; color: green;} A:hover {font-size:14; text-decoration: underline overline; font-family: Arial;} img { float:right; margin-top: 110px } </style> </HEAD> <body> <H1 id="nav"> <a href="http://www.norijacoby.com/#conferences">Lab</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://www.norijacoby.com/#publications">Publications</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://www.norijacoby.com/#invited"> News</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://www.norijacoby.com/#press"> Press</a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="music.htm" target="_blank">Music</a>&nbsp;&nbsp;&nbsp;&nbsp; </H1> <meta http-equiv=Content-Type content="text/html; charset= "UTF-12"> <meta name=Generator content="Microsoft Word 15 (filtered)"> <title>Nori Jacoby</title> <style> <!--#NAV {position: fixed; box-shadow: 5px 5px 3px #888888; left:0in; right:0in;} img {float:right;} /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0cm; font-size:12.0pt; font-family:"Times New Roman",serif;} h1 {mso-style-link:"Heading 1 Char"; margin-right:0cm; margin-left:0cm; font-size:24.0pt; font-family:"Times New Roman",serif; font-weight:bold;} a:link, span.MsoHyperlink {font-family:"Arial",sans-serif; color:olive; text-decoration:none none;} p {margin-right:0cm; margin-left:0cm; font-size:12.0pt; font-family:"Times New Roman",serif;} p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph {margin-right:0cm; margin-left:0cm; font-size:12.0pt; font-family:"Times New Roman",serif;} span.Heading1Char {mso-style-name:"Heading 1 Char"; mso-style-link:"Heading 1"; font-family:"Calibri Light",sans-serif; color:#2F5496;} .MsoChpDefault {font-size:10.0pt;} @page WordSection1 {size:595.3pt 841.9pt; margin:72.0pt 72.0pt 72.0pt 72.0pt;} div.WordSection1 {page:WordSection1;} --> </style> </head> <body lang=en-DE link=olive vlink=teal style='word-wrap:break-word'> <div class=WordSection1> <h1 align=center style='margin-top:0cm;text-align:center;background:#F0F0F0'><span style='color:black'><a href="https://www.norijacoby.com"><span style='font-size:10.0pt;font-family:"Arial",sans-serif'>Nori</span></a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="https://www.aesthetics.mpg.de/forschung/forschungsgruppe-computational-auditory-perception.html" target="_blank"><span style='font-size:10.0pt;font-family:"Arial",sans-serif'>Lab</span></a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="http://www.norijacoby.com/#invited"><span style='font-size:10.0pt; font-family:"Arial",sans-serif'>News</span></a>&nbsp;&nbsp;&nbsp;&nbsp; <a href="music.htm"><span style='font-size:10.0pt;font-family:"Arial",sans-serif'>Music</span></a>&nbsp;&nbsp;&nbsp;&nbsp; </span></h1> <div> <p class=MsoNormal align=center style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:70.9pt;text-align:center;text-indent:-21.25pt'><b><span lang=EN-US style='font-size:11.0pt;font-family:"Arial",sans-serif'>&nbsp;</span></b></p> <p class=MsoNormal align=center style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:70.9pt;text-align:center;text-indent:-21.25pt'><b><span lang=EN-US style='font-size:11.0pt;font-family:"Arial",sans-serif'>PUBLICATIONS</span></b></p> <p class=MsoNormal align=center style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:70.9pt;text-align:center'><b><span lang=EN-US style='font-size:10.5pt;font-family:"Arial",sans-serif'>&nbsp;</span></b></p> <p class=MsoNormal style='margin-top:0cm;margin-right:116.25pt;margin-bottom: .35pt;margin-left:70.9pt;text-indent:-21.25pt;line-height:200%'><b><span lang=EN-US style='font-size:11.0pt;line-height:200%;font-family:"Arial",sans-serif; color:#19779E'>Working Papers</span></b></p> <p style='margin-top:0cm;margin-right:116.25pt;margin-bottom:.35pt;margin-left: 3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family: Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif; color:black;background:white'>Jacoby, N.,</span></b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif;color:black;background: white'> R. Polak, J. Grahn, D. Cameron, K. M. Lee, R. Godoy, E. A. Undurraga, T. Huanca, T. Thalwitzer, N. Doumbia, D. Goldberg, E. Margulis, P. C. M. Wong, L. Jure, M. Rocamora, S. Fujii, P. E. Savage, J. Ajimi, R. Konno, S. Oishi, K. Jakubowski, A. Holzapfel, E. Mungan, E. Kaya, P. Rao, R. M. Ananthanarayana, S. Alladi, B. Tarr, M. Anglada-Tort, P. Harrison, M. J. McPherson, S. Dolan, A. Durango &amp; J. H. McDermott (in review). <a href="https://psyarxiv.com/b879v"><span style='font-size:10.0pt'>Universality and cross-cultural variation in mental representations of music revealed by global comparison of rhythm priors</span></a>.</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Niarchou, M., D. E. Gustavson, J. Fah Sathirapongsasuti, M. Anglada-Tort, E. Eising, E. Bell, E. McArthur, P. Straub, The 23andMe Research Team, J. D. McAuley, J. A. Capra, F. Ullén, N. Creanza, M. A. Mosing, D. Hinds, L. K. Davis, <b>N. Jacoby,</b> &amp; R. L. Gordon (in review). <a href="https://doi.org/10.1101/836197"><span style='font-size:10.0pt'>Unravelling the genetic architecture of musical rhythm: A large-scale genome-wide association study of beat synchronization</span></a>. </span></p> <div style='border:none;border-bottom:solid windowtext 1.0pt;padding:0cm 0cm 1.0pt 0cm; margin-left:49.65pt;margin-right:116.25pt'> <p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:.35pt; margin-left:21.25pt;text-indent:-21.25pt'><span lang=EN-US style='font-size: 10.5pt;font-family:"Arial",sans-serif'>&nbsp;</span></p> </div> <p class=MsoNormal style='margin-top:3.6pt;margin-right:116.25pt;margin-bottom: .35pt;margin-left:70.85pt;text-indent:-21.25pt;line-height:200%'><b><span lang=EN-US style='font-size:11.0pt;line-height:200%;font-family:"Arial",sans-serif; color:#19779E'>2021</span></b></p> <p style='margin-top:0cm;margin-right:116.25pt;margin-bottom:.35pt;margin-left: 3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family: Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif; color:black;background:white'>Langlois, T. A., H. C. Zhao, E. Grant, I. Dasgupta, T. L. Griffiths, &amp; <b>N. Jacoby</b>. <a href="https://arxiv.org/abs/2107.07013"><span style='font-size:10.0pt'><a href="https://arxiv.org/abs/2107.07013" target="_blank">Passive attention in artificial neural networks predicts human visual selectivity.</a> Oral presentation, NeurIPS 2021.</span></a> </span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Anglada-Tort, Manuel, Peter M. C. Harrison &amp; <b>N. Jacoby</b>. <a href="https://doi.org/10.1101/2021.01.15.426897"><span style='font-size:10.0pt'>REPP: A robust cross-platform solution for online sensorimotor synchronization experiments</span></a>.</span></p> Forthcoming, Behavior Research Methods. <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif;color:black;background: white'>Vishne, G.*, <b>N. Jacoby</b>*, T. Malinovitch, T. Epstein, O. Frenkel &amp; M. Ahissar. Slow update of internal representations impedes synchronization in autism. In press, <i>Nature Communications. </i>*</span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'> Equal Contribution.</span></p> <p style='margin-top:0cm;margin-right:116.25pt;margin-bottom:.35pt;margin-left: 3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family: Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif; color:black;background:white'>Lee, H. F. Hoeger, M. Schoenwiesner, M. Park &amp; <b>N. Jacoby</b>. <a href="https://arxiv.org/abs/2108.00768"><span style='font-size:10.0pt'>Cross-cultural mood perception in pop songs and its alignment with mood detection algorithms</span></a>. Accepted, ISMIR 2021.</span></p> <p style='margin-top:0cm;margin-right:116.25pt;margin-bottom:.35pt;margin-left: 3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family: Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif; color:black;background:white'>Van Rijn, P., S. Mertes, D. Schiller, P. M. C. Harrison, P. Larrouy-Maestri, E. André &amp; N<b>. Jacoby</b>. <a href="https://arxiv.org/abs/2105.01891"><span style='font-size:10.0pt'>Exploring emotional prototypes in a high dimensional TTS latent space</span></a>. INTERSPEECH 2021.</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif;color:black;background: white'>Jacoby, N.*,</span></b><span lang=EN-US style='font-size:9.0pt; font-family:"Arial",sans-serif;color:black;background:white'> R. Polak* &amp; J. London*. <a href="https://royalsocietypublishing.org/doi/full/10.1098/rstb.2020.0331"><span style='font-size:10.0pt'>Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: Analysis and modeling of West African drum ensemble music</span></a>. <i>Philosophical Transactions B </i>376(1835), p.20200331. </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>*Equal Contribution</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif;color:black;background: white'>Tchernichovski, O., S. Frey,&nbsp;<strong><span style='font-family:"Arial",sans-serif'>N. Jacoby,</span></strong>&nbsp;&amp; D. Conley. <a href="https://doi.org/10.3389/fhumd.2021.629285"><span style='font-size:10.0pt'>Experimenting with online governance</span></a>.&nbsp;&nbsp;<em><span style='font-family: "Arial",sans-serif'>Frontiers in Human Dynamics, section Social Networks.</span></em></span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'> <em><span style='font-family:"Arial",sans-serif;color:black;background:white'>&nbsp;</span></em></span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Langlois, T. A.,* <b>N. Jacoby</b>,* J. Suchow &amp; T. L. Griffiths. <a href="https://www.pnas.org/content/118/13/e2012938118"><span style='font-size: 10.0pt'>Serial reproduction reveals the geometry of visuospatial representations</span></a>. <i>Proceedings of the National Academy of Sciences</i> (<i>PNAS</i>) 118 (13) e2012938118. *Equal Contribution.</span></p> <div style='border:none;border-bottom:solid windowtext 1.0pt;padding:0cm 0cm 1.0pt 0cm; margin-left:49.65pt;margin-right:116.25pt'> <p class=MsoNormal style='margin-bottom:.35pt'><span lang=EN-US style='font-size:10.5pt;font-family:"Arial",sans-serif'>&nbsp;</span></p> </div> <p class=MsoNormal style='margin-top:3.6pt;margin-right:116.25pt;margin-bottom: .35pt;margin-left:70.85pt;text-indent:-21.25pt;line-height:200%'><b><span lang=EN-US style='font-size:11.0pt;line-height:200%;font-family:"Arial",sans-serif; color:#19779E'>2020</span></b></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Harrison, P. M. C., R. Marjieh, F. Adolfi, P. van Rijn, M. Anglada-Tort, O. Tchernichovski, P. Larrouy-Maestri &amp; <b>N. Jacoby</b>. <a href="https://arxiv.org/abs/2008.02595"><span style='font-size:10.0pt'>Gibbs sampling with people</span></a>. Oral presentation, NeurIPS.</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Roeske,* T. C., O. Tchernichovski,* D. Poeppel, &amp; <b>N. Jacoby</b>. <a href="https://doi.org/10.1016/j.cub.2020.06.072"><span style='font-size:10.0pt'>Categorical rhythms shared between songbirds and humans</span></a>. <i>Current Biology</i> 30.18 3544-3555.e6. </span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>McPherson, M. J., S. E. Dolan, A. Durango, T. Ossandon, J. Valdes, E. A. Undurraga, <b>N. Jacoby</b>, R. A. Godoy &amp; J. H. McDermott. <a href="https://www.nature.com/articles/s41467-020-16448-6"><span style='font-size:10.0pt'>Perceptual fusion of musical notes by native Amazonians suggests universal representations of musical intervals</span></a>. <i>Nature Communications</i> 11: 2786.</span></p> <div style='border:none;border-bottom:solid windowtext 1.0pt;padding:0cm 0cm 1.0pt 0cm; margin-left:49.65pt;margin-right:116.25pt'> <p class=MsoNormal style='margin-bottom:.35pt'><span lang=EN-US style='font-size:10.5pt;font-family:"Arial",sans-serif'>&nbsp;</span></p> </div> <p class=MsoNormal style='margin-top:3.6pt;margin-right:116.25pt;margin-bottom: .35pt;margin-left:70.85pt;text-indent:-21.25pt;line-height:200%'><b><span lang=EN-US style='font-size:11.0pt;line-height:200%;font-family:"Arial",sans-serif; color:#19779E'>2019</span></b></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Jacoby, N.,</span></b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'> E. A. Undurraga, M. J. McPherson, J. Valdes, T. Ossandon. &amp; J. H. McDermott. <a href="https://www.sciencedirect.com/science/article/pii/S096098221931036X"><span style='font-size:10.0pt'>Universal and non-universal features of musical pitch perception revealed by sung reproduction</span></a>. <i>Current Biology</i> 29, 1 15.</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Mehr, S. A., M. Singh, D. Knox, D. M. Ketter, D. Pickens-Jones, S. Atwood, C. Lucas, A. Egner, N. Jacoby, E. J. Hopkins, R. M. Howard, S. Pinker, T. J. O Donnell, M. M. Krasnow &amp; L. Glowacki. <a href="https://science.sciencemag.org/content/366/6468/eaax0868"><span style='font-size:10.0pt'>Universality and diversity in human song</span></a>. <i>Science</i> vol. 366.6468, eaax0868 &nbsp;</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Jacoby, N.,</span></b><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>* E. H.&nbsp; Margulis*, M. Clayton, E. Hannon, H. Honing, J. Iversen, T. R. Klein, S. A. Mehr, L. Pearson, I. Peretz, M. Perlman, R. Polak, A. Ravignani, P. E. Savage, G. Steingo, C. J. Stevens, L. Trainor, S. Trehub, M. Veal &amp; M. Wald-Fuhrmann. <a href="https://online.ucpress.edu/mp/article-abstract/37/3/185/110116/Cross-Cultural-Work-in-Music-CognitionChallenges?redirectedFrom=fulltext"><span style='font-size:10.0pt'>Cross-cultural work in music cognition: Challenges, insights and recommendations</span></a>. <i>Music Perception</i> 37.3, 185-195.</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:3.0cm;text-indent:-14.15pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Shany, O., N. Singer, B. P. Gold, <b>N.</b> <b>Jacoby, </b>R<b>. </b>Tarrasch, T. Hendler &amp; R, Granot. <a href="https://academic.oup.com/scan/article/14/4/459/5400657"><span style='font-size:10.0pt'>Surprise-related activation in the nucleus accumbens interacts with music-induced pleasantness</span></a>. <i>Social Cognitive and Affective Neuroscience</i> <a href="https://doi.org/10.1093/scan/nsz019"><span style='font-size:10.0pt'>https://doi.org/10.1093/scan/nsz019</span></a>.</span></p> <div style='border:none;border-bottom:solid windowtext 1.0pt;padding:0cm 0cm 1.0pt 0cm; margin-left:49.65pt;margin-right:116.25pt'> <p class=MsoNormal style='margin-bottom:.35pt'><span lang=EN-US style='font-size:10.5pt;font-family:"Arial",sans-serif'>&nbsp;</span></p> </div> <p class=MsoNormal style='margin-top:3.6pt;margin-right:116.25pt;margin-bottom: .35pt;margin-left:70.85pt;text-indent:-21.25pt;line-height:200%'><b><span lang=EN-US style='font-size:11.0pt;line-height:200%;font-family:"Arial",sans-serif; color:#19779E'>2018</span></b></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:85.9pt;text-indent:-17.85pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Polak, R.*, <b>N. Jacoby,</b>* T. Fischinger, D. Goldberg, A. Holzapfel  &amp; J. London. <a href="https://psycnet.apa.org/record/2018-58641-001"><span style='font-size: 10.0pt'>Rhythmic prototypes across cultures. A comparative study of tapping synchronization</span></a>. <i>Music Perception, </i>36.1 (2018): 1 23. DOI: 10.1525/mp.2018.36.1.1. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;*Equal Contribution</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:85.9pt;text-indent:-17.85pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>Elliott, M.T., D. Ward, R. Stables, D. Fraser, N. Jacoby &amp; A. M. 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Jacoby,</b> T. Lin, G. Raz, L. Shpigelman, G. Gilam, R. Y. Granot &amp; T. Hendler. <a href="https://pubmed.ncbi.nlm.nih.gov/27389788/"><span style='font-size:10.0pt'>Common modulation of limbic network activation underlies the unfolding of musical emotions and its temporal attributes</span></a>. <i>Neuroimage</i> 141, 517 29.</span></p> <p class=MsoListParagraph style='margin-top:0cm;margin-right:116.25pt; margin-bottom:.35pt;margin-left:85.9pt;text-indent:-17.85pt'><span lang=EN-US style='font-size:9.0pt;font-family:Symbol'>·</span><span lang=EN-US style='font-size:7.0pt'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span lang=EN-US style='font-size:9.0pt;font-family:"Arial",sans-serif'>London, J., R. Polak &amp; <b>N. 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